Roger Vivier collaborates for “Eternity Dress” performance at Ecole des Beaux Arts, Paris
Roger Vivier is proud to announce its collaboration for “Eternity Dress” at Ecole Superieure des Beaux Arts, Paris during Festival d’Automne à Paris. ”Eternity Dress” is a 51 minutes performance starring actress Tilda Swinton where she and curator Olivier Saillard explore the art of dressmaking and releases a world of metions in th eturn of sleeve. “It’s about craft, measuring, considered approach. It’s poetry. A piece of someone’s life which led Tilda Swinton as fashion’s muse for eternity”.
French luxury fashion maison Chloé also contributed to the project. “At Chloé, we are thrilled to be able to support this very special project between Olivier Saillard and Tilda Swinton. The dynamic of their poetic and artistic approach fused with the skills and craftsmanship of Maison Chloé’s atelier is unique and exciting.” Clare Waight Keller, Creative Director Chloé.
Eternity Dress is a performance built on the creation of one single dress. Every stage of its design has been conceived so as to slow down, to linger over each gesture that contributes to the making of the garment.
The taking of measurements, which marks the beginning of the whole thinking process, turns out to be an exercise in body arithmetic full of poetry and mystery. Inch by inch, a veritable cadastre of the female figure emerges, an academy of the garment. Waist size, hip size, lower hip measurement, mid back length/bust depth, upper arm, elbow bent, etc. are serious measurements and indications which lead to a frivolous frock.
Tracing the pattern on craft paper produces the enigmatic design, which transferred onto the beige cotton canvas, shapes the pieces and volumes of a gown in the making. Cutting and assembling in the chosen fabric, a solemn business, completes this practical demonstration, for which the Palais Galliera, Olivier Saillard learnt to cut, stitch and pin onto the body of Tilda Swinton.
In the storerooms of the museum, flannel remnants left by two inspectors, teachers and dressmakers, sticklers for technique, were unearthed. Piped and patch pockets, Peter Pan and Riviera collars, all stray pieces, served as the supreme guide to students of cutting schools in the fifties and sixties. This ill-known archaeology of the trade is the foundation of the dress design.
For it is not a matter of inventing yet another dress. Eternity Dress is the shadow cast by all the gowns of the 20th century; it is a pictogram that embodies the quintessence of the whole history of fashion; fashion that disappears and then is back in a flash. It belongs to everyone. Every night the dress is made and unmade in the hustle and bustle of the workshop on display.